The puzzles and history remain the focus, while the combat never overstays its welcome. The result is one of the best Uncharted games we’ve seen yet. We’re left with two side characters - Chloe Frazer, who debuted in Uncharted 2: Among Thieves, and Nadine Ross from Uncharted 4: A Thief’s End - having a short adventure together. Uncharted: The Lost Legacy pivots on this focus on relationships by removing Drake from the equation entirely.
#10 ten best video games 2017 series#
The Uncharted series has always been about relationships: the relationship between Nathan Drake and his criminal buddy Victor Sullivan, or his wife Elena, or his brother Sam. 22, Naughty Dog/Sony Interactive Entertainment) Naughty Dog/Sony Interactive Entertainment 47. How refreshing to play a game that asks you to care for them, even after their life has left. The video game industry is built on the destruction of bodies of all kinds. And then you provide a shoulder to loved one - or simply bear witness to a corpse when no one else will. You clean, massage, empty, beautify and dispatch dead bodies. The staying power of A Mortician’s Tale stems from its moment-to-moment play. As a polemic, it’s fine and quite convincing, but a little predictable. Its story of a young woman landing her first job as a mortician not-so-subtly spotlights the at best tacky and at worst malicious nature of the massive corporations that churn through grieving families, encouraging them to send off their loved ones in coffins and services that reap the most profit. 18, Laundry Bear Games)Īn imperfect cri de coeur about the funeral services industry, A Mortician’s Tale begs players to consider the business of death. Chris Plante, e xecutive e ditor of Polygon Without further ado, it’s our pleasure to share some of these games with you.
Games offer the tools for us to contextualize the past, to safely experiment within the present, and simulate frameworks for the future. We mustn’t drown in them, but learn from them.
We must work to make our world better, but there’s a value in mindfully embracing these other worlds, too. In these escapes we have the opportunity to recharge and grow.
( As they sometimes should be!) But the magic of games in 2017, stemming from the abundance and variety of experiences, is the emphatic confirmation that games mean so much more to so many more people than they ever have before. Of course, games still can be addictive, puerile and base. Looking at this list, you don’t see a niche for a band of entitled young men, but a medium that is pressing outward while also exploring inward. What’s most encouraging about this year in games, though, is the continued push toward accessibility and diversity. They questioned how we live through instant messages, texts, our home screens and even a glorified spreadsheet. Games dropped us into the lives of troubled families in the Pacific Northwest, morally complicated gangsters in Tokyo, baseball-obsessed high school girls in San Francisco Bay and artificial intelligence in the distant future. Rich video game publishers continued making games about stabbing and shooting, yes, but they framed them in a way that engaged with history, even when the message was as simple as, “Yeah, pal, it’s good to punch Nazis.”Ģ017’s best games were silly, thoughtful, gross, beautiful and surprising They respect life.īig franchises that could have preyed on our nostalgia voluntarily evolved, creators engaging with our fandom, but firmly pushing their artistic goals forward - and us with them. Instead, we have games that recognize the fragility and preciousness of human life, games that deal with death, mental health, teenage anxiety and child illness. What a strange joy to see all of them together.Īnd what a relief that, in 2017, so few of these games involve shooting people in the head, splashes of blood being the only color in their world. This year, we collected 50 of our top games into a list. And quite often, they manage to be both at once. But when games are their best, the experience is so much greater than an emotional exit. Are we really escaping when we play games? Or are we learning, experimenting and taking control of ourselves? Are we learning to experience life not as we know, but as those around us experience it? Are we gaining empathy and camaraderie and relief?
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